There is a trope in television that send me into little fits of apoplexy. An episode is devoted to a character. I spend that hour thinking about how much I love that character, how television can be really good, how it transforms itself from banality into, well, something a little more. Then the character dies and I feel really sad. I'm a sucker for it every time.
I first noticed it when they shot Tara on Buffy The Vampire Slayer. There's plenty written on that death as well, so I'll leave it there.
The Wire really likes to play me this way. The nexus of the problem is twofold. First, I find the "bad guy" characters on The Wire deeply appealing because they are complete characters, nuanced and complex. I could not shut up about how great Idris Elba was as Stringer Bell and when he died his clearly inevitable death, I was really sad and mad. Idris Elba didn't die. The show ends in six episodes. Still, writing about it even now makes me cranky. The second part of the problem lies in their very identity. They're bad guys. Bad guys die because they're criminals and shoot each other. I really like Snoop for example, who's long term health as a character I have no real confidence in. Ditto Omar. Killing people as a profession is not high on the actuarial tables.
Last night, they did it to me again. Honey and I watch this fabulous episode and I keep talking about how much I've come to like Prop Joe. Could I have seen his death at the end of the episode coming? Sure. Did I? Nope.
"Woe to them that call evil good and good evil." So said Prop Joe last night (on a flower card for a dead man). I've always thought of Bunk Moreland as the character most likely to tell the truth about the totality of what happens in the Baltimore of The Wire. Joe's quote from Isaiah comes as close to the worldview as anything. Marlo's unwillingness to see anything as evil does not bode well for the happiness quotient as the series comes to a close.
I can be suckered in by television on several levels. On Saturday, I watched the Miss America pageant. Yes, indeed, you read that right? Why? Well, I had watched a couple of episodes of Miss America Reality Check and was rooting for Miss Washington, Elyse Umemoto, she of the gay dads and the liberal politics. She came in third to a woman who sang one of the cheesiest rendition of "Somewhere Over the Rainbow" I've heard. That's saying something, too because that song will cheese up without much help. Two hours of my life I don't get back, that pageant.
So, David Simon, et. al. didn't need to do much to lure me in. I guess I should also feel grateful that they didn't kill Kima Greggs when they could have in season 1.
Speaking of Sunday night television...if someone wants to kill Jenny Schecter, feel free.
In the meantime, just a little sporks shout-out to Robert Chew as Proposition Joe Stewart.
Sometimes you see it coming. Usually I don't. The good news is that it's just tv and if the writers don't come back soon, I can just watch sports. But then, that doesn't always go like I want it to, either. Ok, never mind, I'll just stop watching.
Or not.
Somewhere over the rainbow, skies are (warble) blue...
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